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Point Loma Playhouse

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AUDITION TODAY! SCROLL TO BOTTOM FOR SPECIFIC AUDITION INFO!

CABARET

Part of the SIGNATURE Series

2026-2027 Season


3Peace Studios & Point Loma Playhouse launches its 2026–2027 Signature Series with one of musical theatre's most daring and iconic masterpieces. Directed and choreographed by Award-winning artist Jailyn Osborne, this bold new production will unleash Cabaret through explosive, movement-driven storytelling, breathtaking choreography, and fearless performances that blur the line between spectacle and truth.


Produced by Kara Tuckfield, with musical direction by husband and wife team Erin Vanderhyde Gross and Chris Gross, both acclaimed performers and music directors in the San Diego theatre community, this production brings together an exceptional creative team dedicated to creating an unforgettable theatrical experience.


We're seeking exceptional actors, dancers, singers, and storytellers ready to take artistic risks and create something raw, provocative, and exhilarating. If you're looking for a production that demands everything you have and gives even more in return, we want to see you.


Conflicts / Rehearsal Attendance & Stipend Info

At 3Peace Studios & Point Loma Playhouse, we believe exceptional theatre and equitable practices can and should exist together. We reject the idea that artistic excellence requires unnecessary barriers.


We know many artists balance careers, multiple jobs, school, family responsibilities, health concerns, and life's unexpected moments. We don't believe those realities should automatically prevent talented performers from creating meaningful art. Having conflicts does not automatically disqualify you from being cast.


What we do ask for is honesty, communication, and professionalism. Every conflict is considered individually, as different roles require different levels of rehearsal. If you're upfront with us, we'll do everything we reasonably can to find solutions that honor both your commitments and the artistic needs of the production.


Make no mistake: our commitment to accessibility never comes at the expense of artistic excellence. We hold ourselves - and our artists - to a high standard because we believe audiences deserve unforgettable theatre. We simply believe there is more than one path to achieving it.


Our goal is not simply to cast a show, it's to build an extraordinary company of artists. We are committed to producing theatre of the highest caliber while fostering a rehearsal room rooted in collaboration, respect, accountability, and compassion. We believe some of the most remarkable performances come from artists who feel supported, trusted, and empowered to do their best work.


One stipend is provided per performer, regardless of the number of roles assigned. Stipend amounts and tentative rehearsal schedules can be found at the bottom of this page.


Cabaret Audition Process

Due to the ambitious nature of this production and our desire to begin the creative process now, casting may begin during the virtual audition period. Performers are strongly encouraged to submit early, as offers may be made on a rolling basis.


In-person audition dates are being held to ensure we find the strongest possible cast and may be used selectively if additional performers are needed for specific roles or ensemble tracks. Not all performers will be asked to attend an in-person audition.


Callbacks for select principal roles will be conducted by invitation and scheduled individually. Being invited to a callback does not guarantee casting, and performers may be cast with or without a callback.


Our goal is to assemble an exceptional company for what promises to be one of the most exciting productions of the season. We encourage performers to submit their strongest work as early as possible.

_________________________________________


Cabaret reminds us what can happen when people are silenced, excluded, or made to feel they don't belong. We believe the strongest storytelling comes from a company of artists with varied backgrounds, perspectives, and experiences. In telling this story, we seek a company that reflects the richness and complexity of the communities around us and the vibrant diversity of our world. We encourage performers of every race, ethnicity, culture, sexual orientation, gender identity, age (18+), body type, ability, and background to audition. The Kit Kat Club is a place for outsiders, dreamers, rebels, romantics, and those who have never quite fit the mold.


_________________________________________________


ROLES (all are 18+ except BOY SOPRANO):


Sally Bowles / understudy

Gender: 

Female Presenting (20s–30s)

Vocal Range:

Mezzo-Soprano (approximately A3–C5; strong belt preferred)

Dance:

Advanced. Must be an exceptional, fearless mover with strong jazz technique, theatrical storytelling through movement, stamina, and confidence. This production will feature a highly choreographed Sally with significant dance responsibilities. Tap is a plus but not required.

Seeking:

Magnetic, vulnerable, funny, impulsive, seductive, and emotionally fearless.


The Emcee / understudy

Gender:

Any Gender (20s–40s)

Vocal Range:

Bari/Tenor (approximately C3–G4)

Dance:

Advanced. Exceptional musicality, versatility, and comfort with jazz, contemporary, and stylized movement. Acrobatics, partnering, or specialty movement skills are a plus.

Seeking:

Charismatic, unpredictable, commanding, and capable of leading the ensemble through movement as much as dialogue.


Clifford Bradshaw / understudy

Gender:

Male Presenting (20s–30s)

Vocal Range:

Baritone/Tenor (approximately A2–E4)

Dance:

Strong mover.

Seeking:

Intelligent, compassionate, quietly charismatic, and emotionally grounded.


Fraulein Schneider / understudy

Gender:

Female Presenting (50s+)

Vocal Range:

Alto/Mezzo (approximately D3–E♭5)

Dance:

Movement ability required.

Seeking:

Warm, practical, resilient, with emotional depth.


Herr Schultz / understudy

Gender:

Male Presenting (50s+)

Vocal Range:

Baritone (approximately A2–F4)

Dance:

Movement ability required.

Seeking:

Gentle, optimistic, humorous, and deeply sincere.


Fraulein Kost

Gender:

Female Presenting (20s–40s)

Vocal Range:

Mezzo/Alto (strong belt)

Dance:

Strong jazz dancer.

Seeking:

Bold, sensual, comedic, and confident.


Ernst Ludwig

Gender:

Male Presenting (20s–40s)

Vocal Range:

Baritone

Dance:

Strong mover.

Seeking:

Charming on the surface with underlying intensity.


Kit Kat Club Ensemble

Gender: All genders, ages 18+

Vocal Range:

All voice types.

Dance:

Advanced. Strong jazz dancers with excellent performance quality. Seeking performers comfortable with Fosse-inspired movement, partnering, lifts, improvisation, and physically demanding choreography. Specialty skills (tap, aerial, tumbling, ballroom, pointe, drag, circus arts, etc.) are encouraged.


Boy Soprano

Gender:

Male-presenting youth (approximately 10–14; unchanged voice)

Vocal Range:

Boy Soprano (approximately C4–G5) with a clear, pure treble sound and excellent pitch.

Dance:

Movement ability required. Comfortable learning choreography and working with the ensemble.

Seeking:

A poised, confident young performer with a strong stage presence and a beautifully clear singing voice. Must be able to perform the featured solo in Tomorrow Belongs to Me with sincerity, musical precision, and emotional restraint. Prior choral or classical vocal experience is a plus. MUST be okay with adult content and working with an all adult cast.


We'll see you at the Kit Kat Club.


CLICK HERE FOR VIRTUAL AUDITION


GET AN IN-PERSON AUDITION SLOT

NEXT TO NORMAL

Part of the SIGNATURE Series

2026-2027 Season


Some stories entertain. Others change us.

Winner of the Pulitzer Prize for Drama and three Tony Awards, Next to Normal is one of the most powerful and emotionally resonant musicals of the 21st century.


Directed and choreographed by multi-award-winning director and choreographer Jailyn Osborne, this intimate new production will blend emotionally raw performances with powerful, movement-driven storytelling and striking theatrical imagery, creating an experience that is as visually compelling as it is emotionally unforgettable.


Produced by Kara Tuckfield, with Music Direction by TBA, we're seeking fearless actors, exceptional singers, and emotionally honest storytellers ready to embrace one of contemporary musical theatre's most demanding and rewarding scores. Whether you're a seasoned performer or making your 3Peace Studios / Point Loma Playhouse debut, we invite you to bring your heart, your artistry, and your truth to the rehearsal room.


If you're looking for the role of a lifetime-and the opportunity to create theatre that challenges, inspires, and transforms-we can't wait to meet you.


The extraordinary begins with a single step. We'll see you in the room.


Conflicts / Rehearsal Attendance & Stipend Info

At 3Peace Studios & Point Loma Playhouse, we believe exceptional theatre and equitable practices can and should exist together. We reject the idea that artistic excellence requires unnecessary barriers.


We know many artists balance careers, multiple jobs, school, family responsibilities, health concerns, and life's unexpected moments. We don't believe those realities should automatically prevent talented performers from creating meaningful art. Having conflicts does not automatically disqualify you from being cast.


What we do ask for is honesty, communication, and professionalism. Every conflict is considered individually, as different roles require different levels of rehearsal. If you're upfront with us, we'll do everything we reasonably can to find solutions that honor both your commitments and the artistic needs of the production.


Make no mistake: our commitment to accessibility never comes at the expense of artistic excellence. We hold ourselves - and our artists - to a high standard because we believe audiences deserve unforgettable theatre. We simply believe there is more than one path to achieving it.


Our goal is not simply to cast a show, it's to build an extraordinary company of artists. We are committed to producing theatre of the highest caliber while fostering a rehearsal room rooted in collaboration, respect, accountability, and compassion. We believe some of the most remarkable performances come from artists who feel supported, trusted, and empowered to do their best work.


One stipend is provided per performer, regardless of the number of roles assigned. Stipend amounts and tentative rehearsal schedules can be found at the bottom of this page.


Next to Normal Audition Process

Next to Normal is, at its heart, a story about a family navigating love, loss, memory, and the complicated ways we care for one another. While the characters are written as members of the same family, we are not bound by traditional expectations of race, ethnicity, or appearance in our casting. Families are formed in many ways, and performers of all backgrounds are encouraged to audition for any role.

We are seeking the strongest storytellers, singers, and actors to bring these characters to life. We welcome performers of every race, ethnicity, culture, gender identity, sexual orientation, body type, age, ability, and lived experience. Casting will be conducted on a rolling basis. We encourage interested performers to submit early, as offers may be made prior to the final audition date. In-person auditions and callbacks will be held only as needed, with lead role callbacks conducted by invitation. The world of Next to Normal belongs to anyone who has loved deeply, struggled quietly, searched for hope, or fought to hold their family together.


If this story speaks to you, we want to see your audition.


_________________________________________________


ROLES (all are 18+):


Diana Goodman / understudy

Gender:

Female Presenting (40s–50s)

Vocal Range:

Powerful Rock Mezzo (approximately G3–G5)

Dance:

Strong mover. While not traditionally dance-heavy, this production will incorporate expressive contemporary movement and physical storytelling.

Seeking:

A fearless actor with exceptional vocal stamina and emotional range.


Dan Goodman / understudy

Gender:

Male Presenting (40s–50s)

Vocal Range:

Baritone (approximately A2–F♯4)

Dance:

Strong mover.

Seeking:

Warm, grounded, emotionally complex.


Natalie Goodman / understudy

Gender:

Female Presenting (18–20s, able to play 16)

Vocal Range:

High Belt/Mezzo (approximately G3–G5)

Dance:

Strong contemporary/jazz mover.

Seeking:

Intelligent, driven, emotionally guarded.


Gabe Goodman / understudy

Gender:

Male Presenting (18–30)

Vocal Range:

Rock Tenor (approximately B2–A4)

Dance:

Advanced. Athletic contemporary mover with strong partnering ability. This production will utilize Gabe extensively through movement.

Seeking:

Charismatic, magnetic, youthful, haunting.


Henry

Gender:

Male Presenting (18–20s, able to play 17)

Vocal Range:

Tenor (approximately A2–B4)

Dance:

Strong mover.

Seeking:

Funny, genuine, optimistic.


Dr. Madden / Dr. Fine

Gender:

Any Gender (30s–60s)

Vocal Range:

Baritone or Mezzo with strong contemporary musical theatre vocals

Dance:

Strong mover.

Seeking:

Versatile performer capable of portraying multiple distinct characters.


General Dance Expectations

Movement is an essential storytelling element in both productions. While dance experience is not required for every role, all performers should be comfortable learning choreography and working in a movement-driven rehearsal process. Many principal roles will participate in ensemble movement and dance sequences throughout the productions.


We'll see you on the other side of ordinary.


CLICK HERE FOR VIRTUAL AUDITION


GET AN IN-PERSON AUDITION SLOT

GENERAL AUDITION INFO

DETAILED AUDITION INFORMATION

(details for virtual auditions near bottom)


Thank you for considering auditioning for Cabaret and/or Next to Normal with 3Peace Studios & Point Loma Playhouse! We're excited to meet you.


These two extraordinary musicals explore love, identity, family, resilience, and the human experience in very different ways. We can't wait to see what you bring into the room.


🎵 Vocal Audition

•Please prepare one musical theatre song (60–90 seconds) that best showcases your voice and acting ability.

•Your selection may be from either show or another musical.

•Choose material that highlights your strengths.

•An accompanist WILL be provided.

•Please bring clearly labeled sheet music in the correct key.

•If needing to use a track (sheet music preferred), please make sure it is instrumental only.

•Tracks may be AirDropped, texted, or connected via Bluetooth to our speaker.


🎭 Cold Readings*

Some performers may be asked to read from sides provided at the audition. Please familiarize yourself with both shows beforehand, but there is no need to memorize any scenes.


💃 Dance

May be asked to attend a dance call, dance callback, or be asked to dance & possibly learn a combo at initial in-person vocal audition.


📸 Headshots & Résumés*

Please bring at least 3 copies of your headshot (or a recent photo) with your résumé (or typed list of experience) securely attached to the back.


✏️ Forms

Please be prepared to complete:

•Audition Form (online for virtual auditioners)

•Media & Photo Waiver


⏰ Audition Day*

Please arrive 10 minutes early to check in and complete paperwork.


Location*

3Peace Studios & Point Loma Playhouse

3148 Fifth Avenue

San Diego, CA 92103

(Banker's Hill / Hillcrest)


Parking*

Parking can be limited. We recommend:

•Parking in the Balboa Park lots (approximately two blocks away)

•Metered street parking

•Nearby residential parking


Additional parking information is available on our website.


📅 Callbacks

Callbacks will be held by invitation only and only as needed. Please be advised that callbacks will be held over the next 2 weeks (evenings or weekend mornings).


VIRTUAL AUDITION INSTRUCTIONS

1. Slate your name

2. Location

3. Union status

4. Fun fact about you

5. Show(s) auditioning for

6. Role(s) preferred

7. Name of audition selection


Next, upload your song (audition).

Feel free to also upload clips of you dancing (if you have them) as well as a reel or scene work.


Slate should at some point show your entire body, however your vocal audition should be a medium/close shot. All clips should be in a horizontal orientation (sideways).


_________________________________________________


Because casting is conducted on a rolling basis, some offers may be extended before the final audition date.


We encourage performers to audition as early as possible.


🌍 Our Commitment to Inclusive Casting

Both Cabaret and Next to Normal tell deeply human stories that transcend race, ethnicity, and traditional casting expectations.


We enthusiastically encourage performers of every race, ethnicity, culture, gender identity, sexual orientation, body type, ability, and background to audition.


For Next to Normal, family members are not required to be race-matched. Our focus is on truthful storytelling, meaningful relationships, and assembling the strongest company of artists.


🎭 A Few Things to Remember

Auditions are an opportunity - not a test.


Come prepared, take risks, support one another, and enjoy the process.


*If you are running late or are no longer able to attend, please email or text us so we can offer your appointment to another performer.


Most importantly...


Be yourself.


We can't wait to meet you and begin creating this incredible season together.


With gratitude,

The Creative Team

3Peace Studios & Point Loma Playhouse


*pertains to in-person auditions only


CLICK HERE FOR VIRTUAL AUDITION


GET AN IN PERSON AUDITION SLOT

TENTATIVE REHEARSAL SCHEDULES (subject to change)

    CABARET & NEXT TO NORMAL STIPENDS

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